Among his award-winning works as director of photography are: Karnal (Carnal), 1983, Urian and Metro Manila Film Festival (MMFF) awards; Pahiram ng Isang Umaga (Lend Me One Morning), 1989, with Eduardo Jacinto and Nonong Rasca, Urian and Star Awards; and Misis Mo, Misis Ko (Your Wife, My Wife), 1989, Star Awards. Abelardo went to the United States to train as scenic artist in early Hollywood films, such as Footlight Parade, 1933, and Charlie Chaplin’s Modern Times, 1936.As film editor, he won the Urian award for Brutal, 1980, with co- editor Mark Tarnate. In local movies, he pioneered the art of cinematographic wizardry. His parents are Rafael Accion and Filomena Bautista.The Citizens Council for Mass Media (CCMM) honored him for best cinematography for A Portrait of the Artist as Filipino, 1965.
Abaya and Catalina Roxas, he is married to movie director Marilou Diaz-Abaya with whom he has two children.Its centerpiece project is its AWF Scholarship Program for Young Actors which provides selected talents a year-long curriculum and training in acting. The film broke box-office records and helped Sampaguita Pictures rise again after a big fire gutted its studio. Nolasco ’s Siete Dolores (Seven Sorrows) and Mga Busabos ng Palad (Slaves of Fate), 1948; Eddie Infante ’s Ina (Mother), 1948; and Tony Arnaldo’s Anak ng Pulubi (Child of a Beggar), 1951.At one time, AWF produced a 30-minute daily TV drama called Wakasan which served as a practicum for workshop participants. She became the most popular child star of the decade of the 1950s, sharing top billing with major stars, such as Pancho Magalona and Lillian Leonardo in Anghel ng Pag-ibig (Angel of Love), 1951; Gloria Romero in Rebecca and Ramon Revilla and Sylvia La Torre in Ulila ng Bataan (The Orphans of Bataan), 1952; Katy de la Cruz and Norma Vales in Cumbanchera, 1953; and Fred Montilla in Nagkita si Kerubin at si Tulisang Pugot (Cherubim Meets Headless Bandit), 1954. Aguirre made her screen debut in Sampaguita Pictures ’ Himagsikan ng mga Puso (Revolt of the Hearts), 1938, which was based on the novel by Julian Cruz Balmaseda, Tala ng Bodabil (Star of Vaudeville). During the 1950s she was an exclusive contract star of LVN Pictures for mother roles in films like Pag-asa (Hope), 1951; Tia Loleng (Aunt Loleng), Tenyente Carlos Blanco (Lieutenant Carlos Blanco), and Matador (Bullfighter), 1952; and Tumbalik na Daigdig (Topsy-Turvy World) and Sa Paanan ng Bundok (At the Foot of the Mountain), 1953. She is the eldest child of Bernardino Alatiit of Roxas City and Angelica Liguid of Cavite. After high school, she took a one-year course on tourism and travel at the Centro Escolar University.He became a full-fledged cinematographer in Kandelerong Pilak (Silver Candlesticks), 1954, which won for Lilia Dizon the best actress award in the Cambodian Film Festival. As actor, Accion appeared in films like Ang Lalaki (The Male), 1947; Sierra Madre, 1948; Tambol Mayor (Big Drum) and Kandidato (Candidate), 1949; In Despair, 1950; and Donato, 1954.He was also the cinematographer of Malvarosa, 1958, which won for Rebecca del Rio the best supporting actress award in the 5th Asian Film Festival held in Manila. In his later years, he turned to movie directing and made Kung Kaya Mo, Kaya Ko Rin (If You Can Do It, I Can Do It, Too), 1979, with Christopher de Leon, and Coed, 1979, with Vilma Santos and Jay Ilagan.His first film was Malaya, Mutya ng Gubat (Malaya, Muse of the Forest), 1948, starring Mila del Sol and Teody Belarmino.